Notorious: Graffiti and urban youth culture

If you type “graffiti Mallorca” into Google, the second entry that comes up is for “imágenes de graffiti mallorca” (you do incidentally have to use the double-l version, as it won’t work in the same way with the “j”). Click on the link for images and then scroll down to around the fourteenth line of photos and there is one of mine, a photo that is and not, I hasten to add, the graffiti. It’s not graffiti of an artistic style; it is just written. It is “Mallorca tiene un secreto”, variations on which in both Spanish and English have cropped up all over the place.

I was interested in going hunting for information on graffiti in Mallorca, because two graffiti artists are facing prison sentences of three years each for having put their work onto buildings in Palma as well as on trains that run to Inca and Manacor. For anyone familiar with urban street art in London and pretty much any other city or town in the UK, the graffiti is nothing unusual, but the growth of such art in Mallorca has prompted the police to take action against the two, identified, as with other graffiti artists, by their “tags” or signatures, nearly always seemingly obscure combinations of letters. Not that they are always obscure. “WHERE” is a tag of one artist involved with a graffiti project in Porto Cristo. And you can see the work on YouTube.

It isn’t necessarily difficult to find out who the perpetrators are. The internet is full of not just Facebook artists but also blogs and websites to which they contribute or run. One such, and he is very much more on the “established” end of the scene is Torrelló aka Gun_star who has a site which when you go to it tells you that this is his “fucking website”, “wankas”. The site also has a poster for an event at Son Amar on 11 December – “Big Bang”, one element of which is a percussion spectacular which features one … Gun_star.

The threat of prison for the Palma artists is not the first occasion on which the police have moved against graffiti-ists. A few months ago the mayor of Inca initiated action against some school kids who had been defacing walls on their way home from school, initially suggesting that the parents be fined. There is a difference between some scrawling on walls and some street art, but many would argue that there is no difference – both are acts of vandalism.

A curious aspect of street or urban art, call it as you will, is how one reconciles the very nature of the phenomenon – the daubing of public buildings and transport – and the degree to which it is somehow sanctioned. Continue with the search in Google, and you will find references to courses in graffiti art. Workshops are organized during annual fiestas. These take place in Pollensa, for example, and its port is a place that has been blighted, some might say, by an outbreak of graffiti, some of it clearly “tagged”.

A further curiosity, for those inclined to adopt a blinkered and over-romantic view of Mallorca, is how such seemingly anti-social activity can occur on the “beautiful” island. It isn’t curious at all. Much in the same way as alcohol and drugs are part of Mallorcan youth culture, so also is graffiti. This culture is, furthermore, part of a standardisation across cultures and in which there is also the influence of music. I came across Gun_star via a website hhgroups.com (“hh” standing for hip hop). Graffiti has always been a core element of hip hop, and the website says that “el hip hop es nuestra cultura” (our culture). The YouTube video for the Porto Cristo “project” has a hip-hop soundtrack to accompany it.

The point about much urban art is that it is astonishing in its scale and audacity. Whether it’s right is another matter. But graffiti-ists thrive on the thrill of notoriety; it’s all wrapped up with a culture that could have spawned a rap artist who became notorious partly because of his name – The Notorious B.I.G. A three-year stretch might not be what the graffiti-ists of Palma might have wanted, but by leaving their calling cards, it was only a matter of time if the police were minded to pull them in. The stretch might only help in reinforcing the image and the myth and might even propel them into the “established” graffiti world of a Banksy where there is real fame  to be cultivated and money to be made.

Criminal damage, though, is criminal damage. Reconciling the art, and its promotion, and the vandalism will remain an issue, however. And as far Mallorca and its secret is concerned, getting to the bottom of the enigma of some graffiti is another matter. I’m still no nearer knowing what it all means and what the secret is.

Any comments to andrew@thealcudiaguide.com please.

Off Their Faces: Underage drinking

58% of school students between the ages of 14 and 18 regularly consume alcohol. The average age of the onset of alcohol consumption is 13.6 years. The Spanish government intends to re-educate in order to stop alcohol misuse.

You might have read recent reports regarding the drinking of alcohol by Spanish youth. So you don’t need me to remind you of the figures. Perhaps not, but the above comes not from the recent survey of youth drinking, but from one conducted in 2000 and written up in 2002, one that was compiled in the context of growing concern as to the more widespread phenomenon of the botellón and of so-called binge drinking among Spanish youth. Just for the record, the new survey has found that habitual alcohol consumption between the ages of 12 and 18 is practised by 61% of the sample.

Allowing for a difference in the age ranges of the 2000 and latest surveys, the inference is that alcohol use among Spanish youth hasn’t risen significantly over the decade. Nevertheless, the latest survey has stirred up alarm, not least because it has found that it is so easy for under-18s to buy alcohol without showing any ID.

Incredible. Where have they been? Want to know how easy it is to be an underage drinker in Spain? Take a look at a few internet forums from the UK and you’ll find out. As one commentator put it, unless you’re in a pram, sucking on a dummy you won’t have any problem getting served in a bar or liquor store in Spain. In Valencia, just as an example, one survey discovered that there was virtually no request for ID for those of 15 or older.

Ah yes, you say, but this business of the average age of the onset of consumption, that’s the age at which children start drinking the odd glass of wine as part of the “responsible” attitude to alcohol in Spain. Sorry, but it isn’t. This is the age that youth start getting steamed up under their own steam as well as being “guided” by their parents. It is an unsettling fact for those who have the wholly misguided impression of alcohol and youth in a country which, because it isn’t the UK, is held up as some kind of panacea of responsibility. It is an unsettling fact, given that the Fundación Alcohol y Sociedad, which conducted the latest survey, has highlighted the “structural problem” of society as a consequence of alcohol as well as the levels of violence associated with drinking.

The UK alcohol charity Drinkaware revealed last year that the average age at which young people take their first alcoholic drink was … 13.4 years of age. Virtually no difference. It also discovered that 71% of 16 and 17 year olds drink more than once a week. Again allowing for a difference in age range and a not unreasonable assumption that older teenagers will be more inclined to drink regularly, then the Spanish and UK figures are similar.

If all that the Spanish surveys did was to point to the responsible odd glass of wine, then it might be legitimate to distinguish between a responsible drinking culture (Spain’s) and an irresponsible one (the UK’s). But they don’t do this. Both surveys point to the influence of the botellón street drinking party, while the latest highlights the almost complete failure of drinking-age law.

The survey of 2000 shows that the problem of youth drinking is not something of recent origin. And nor is the botellón, despite press treatment which might suggest otherwise. Back in 2002 the government was planning to prevent the drinking of alcohol in the streets and to ban the sale of alcohol to under-18s. Who was saying this then? Mariano Rajoy, now the national leader of the Partido Popular. His ominous-sounding, Khmer Rouge-style re-education programme, assuming it was ever launched, has been another failure alongside those to do with the sale of alcohol and street drinking.

The botellón phenomenon gathered strength in the 1990s. Yet it has been taken, without the slightest shred of evidence, as having been inspired by the drinking cultures of north European youth, especially the British. The conclusion that some would draw is that poor Spanish youth, previously all but teetotal, have been corrupted by an exported binge-drinking mentality. This is utter nonsense. One might add that British binge-drinking is, as far as the media is concerned, a more recent phenomenon than the botellón. Maybe, but it all depends on your definition.

The point is that youth culture is youth culture, of which drink is a part. It might once not have been so in Spain, but it now is, and the influences are the same – the lack of alternative forms of “entertainment”, peer pressure, drink is “cool” and so is getting off your face.

In the summer, in the light of excessive drinking, fears were being expressed as to the future of fiestas (in Mallorca) as they were being treated as excuses for the young to get drunk. These were fears being expressed in different towns and also by a local expert in popular culture Felip Munar. What was once a traditional alcohol responsibility has been eroded to the point of threatening traditions, but the threat stems from a societal shift. And it is one that negates the wrongheaded, rosy perception of attitudes to drink among Spanish youth.

Any comments to andrew@thealcudiaguide.com please.